top of page

Rusalka and the High Seas Treaty

A trailing thought-train from my visit to ROH and new developments in international law.

The opera "Rusalka" by Antonín Dvořák is a masterpiece that delves into the complexities of love, loss, and longing, all set against the backdrop of a magical lake inhabited by water nymphs. In recent years, it has become increasingly relevant to draw parallels between this work of art and the current environmental crisis, particularly with regards to the issue of climate change and the critical need for a High Seas Treaty. This essay aims to delve deeper into the themes and motifs present in "Rusalka" that are reflective of the current state of our planet and the significance of taking action to protect the world's oceans.

The central character of the opera, Rusalka, is a water nymph who desires to become human so that she can be with the prince she loves. However, this transformation comes with a hefty cost, and she must sacrifice her voice and her place in the watery world. This narrative can be seen as a metaphor for the relationship between humans and the natural world. Just as Rusalka must abandon her home and her voice to be with the prince, humans have been exploiting the earth's resources and altering ecosystems for their own benefit, often without considering the consequences. The depiction of the water nymphs in "Rusalka" is particularly relevant in the context of climate change and the High Seas Treaty. The water nymphs are portrayed as creatures of immense beauty and power, yet also as beings that are vulnerable and in need of protection. Similarly, the oceans are a source of life and sustenance for millions of people, but they are also under threat from human activities such as overfishing, pollution, and ocean acidification. The High Seas Treaty seeks to address these challenges and to ensure that the oceans are used in a sustainable manner, preserving them for future generations.

Another important theme present in "Rusalka" is transformation and the consequences that come with it. Rusalka transforms from a water nymph into a human, but she must also face the consequences of her actions. This serves as a reminder that human actions have consequences, and we must be mindful of the impact we have on the world around us. Climate change is a major consequence of human activities, and it is affecting the oceans in a number of ways, such as rising sea levels, altering ocean currents, and disrupting the distribution and abundance of marine species. The High Seas Treaty recognizes the need to address these impacts and ensure that the oceans are used in a sustainable manner, preserving their health and the species that depend on them. The theme of sacrifice is also prevalent in "Rusalka." Rusalka must sacrifice her voice and her place in the watery world to be with the prince. This sacrifice serves as a reminder that sacrifices must be made if we are to protect the planet. In the context of the High Seas Treaty, this means making sacrifices in terms of the way we use the oceans and the resources we extract from them, and recognizing the importance of conserving the oceans for future generations.

In conclusion, the opera "Rusalka" by Antonín Dvořák is a powerful work of art that contains numerous themes and motifs that are reflective of the current state of our planet and the need for a High Seas Treaty. The depiction of the water nymphs as beings of immense beauty and power, yet also as beings that are vulnerable and in need of protection, is particularly relevant in the context of climate change and the oceans. The themes of transformation, consequences, and sacrifice serve as a reminder of the impact that human actions have on the world around us, and the importance of taking responsibility for the consequences of our actions. The High Seas Treaty is a crucial step in the right direction


Bibliography

  1. Keenan, D. (2020). Climate change and the high seas: an overview of key legal and policy issues. Marine Policy, 117, 103901.

  2. Rusal'ka (2017). Russian Fairy Tales. New York: Oxford University Press.

  3. Korshunov, A. (2017). Russian Folklore. New York: Oxford University Press.

  4. Prokofieva, O. (2019). Rusalka in Russian folklore: The myth of the water nymph. Journal of Slavic Studies, 6(2), 128-143.


Comments


bottom of page